EmergencyClosure_CharonsGardenWA_0711

Due to the extreme heat conditions in the Wichita Mountains Wildlife Refuge, the Refuge has decided to temporarily close the Charons Gardens Wilderness Area until further notice. Recently, there has been a number of heat-related incidents due to hikers and other day users that have resulted in Refuge personnel having to perform rescues. Rescues in this heat put a significant toll on the Rangers as they have to subject themselves to the heat in order to perform these rescues.

For the safety of the public and Refuge personnel we ask that everyone please respect the temporary closure during this excessive period of high temperatures.

If visiting other areas of the Refuge please take extra caution to ensure that you are prepared for the heat; plan your day, spend plenty of time in the shade, bring plenty of water, sunscreen, sunglasses, and a hat. Know how to recognize the sign and symptoms of heat-related illnesses (http://american.redcross.org/site/PageServer?pagename=ItsHotOutHere) and treatment.

Adidas is jumping feet first into the bouldering competition world with the Adidas Rock Stars event at Area 47 in Austria. This event drew my attention for several reasons – first because it looks like it will be a high profile event with some serious climbing talent. Adidas is sponsoring it which means some good financial backing and very professional. The venue, called “Area 47″ is at the entrance of Tirol’s famous Oetztal valley – and features a number of outdoor recreational sports besides climbing. It looks like a giant playground to do all kinds of crazy stuff.

Again, just another way of climbing becoming a little more recognizable to some heavy hitter brands. And it’s events like this that help sustain our sport, allow others to appreciate it, and make it possible for more people to support themselves through climbing.

Adidas Rock Stars Event

The event will also feature live music during the event.

 

 

 

 

 

 

 

 

It was recently announced that climbing made the short list of 8 sports to be included in the 2020 Olympic games.

You can read more about it here.

This is the closest that climbing has ever been to becoming an Olympic sport. Given the number of recent World Cup competitions in the USA it’s no surprise that climbing is finally being looked at as a significant contender. In the past three years we’ve hosted a World Cup bouldering competition in Vail, CO and this year we’ll see the first World Cup sport climbing competition since the 1980s!

Competitive climbing (bouldering, speed and sport) has positioned itself as a growing youth sport – which makes it that much more attractive to the Olympic committee.

So what can WE do to promote climbing and get it in the Olympics? Well, USA Climbing Executive Director, Keith Ferguson said that first and foremost we can attend the World Cup events hosted here in the USA, and if we are unable to attend, we should log-in, whenever possible, to watch the live feeds of climbing competitions. This can be done through the USA Climbing site and through the IFSC website. The number of viewers or hits that a live or recorded feed is used to show popularity. And those numbers are part of the equation to demonstrate how many viewers climbing can generate.

It’s going to be important to start a buzz about climbing becoming an Olympic sport. We need to support our local USA Climbing teams – like the Oklahoma Climbing Team – and those organizations that support competitive climbing – like USA Climbing.

It’s also worth mentioning, on a local level, that Rocktown Climbing Gym is positioning itself to becoming the location of a world-class venue suitable for Olympic level events and an Olympic training facility. More on this in future postings.

For the time being, let’s keep focused on elevating climbing to the level it deserves – let’s push for seeing it in the Olympics – wherever that may be – in 2020.

I’ve been working for the past few weeks on a few projects at the gym (http://rocktowngym.com), and while this update might be better suited for the Rocktown blog, this is more about the personal work experienced, so it’s being posted here.

The initial project began months ago. The plan was to design a climb from scratch that would consist of a number of major “features” which would be built and attached to the walls. In addition, the silo walls would need to be cleaned, all holes hammer drilled, drop-ins placed, anchors attached, etc. etc. – the usual amount of work for a typical route at Rocktown PLUS the added work of building at least three large features, attaching them, and then setting the route. The problem is that I typically attack a project as if I can do it in a week or so. In other words, I often underestimate the amount of work that I’ve taken on. The other issue I have is that once started, I find it an obligation to complete a project no mater what. This results in weeks (or months) of work – highs and lows – frustrations and solutions. But it works for me. With this initial project, creating three individual and unique features – all at least 6 feet in height – would be quite a chore. The first feature was an enormous triangle feature measuring about 8 feet tall and 4 feet wide. This thing was a monster. The biggest chore was hauling it up the wall 60 feet and attaching it. If I think too long about all the things that could have gone wrong with lifting this thing that high using ropes, pulleys and brute strength, my heart skips a beat.

The second feature was the most reasonable of the three – a low profile diamond shaped feature that was about 6 feet by 3 feet. This feature was much easier to place – likely because it was lower on the wall so there was less lifting/pulling involved.

The final feature was the most complicated. The feature itself was actually constructed by making three identical pieces and fitting them together. This final feature measure 12 feet in length and 4 feet wide and had the shape of an airplane wing! It has a large concave curve and angles down into the wall. There’s nothing but texture on it and it’s attached in such a manner that you must press into it and smear your way up it. it is by far the most impressive thing I’ve ever constructed and one of the more difficult things too.

Each of these features were attached to the wall and the route was built through them. In total, it took me about 6 weeks of work – this is the longest I’ve spent building a single artificial climbing route. The name of the route is “The Feature Presentation.”

The second major project I began and have (almost) finished, is becoming known as the Training Room. This room, also a brand new room, contains a campus board, hangboard system, Roman chair for leg lifts and dips, and will soon contain a peg board. The room has a drop ceiling and a padded floor like what you might find at a gymnastics gym.

The third project which was just finished took about a week. We stripped all the holds from the bouldering room, filled some cracks and imperfections, re-painted the walls, and replaced the holds. This gave a nice face-lift to one of our most popular rooms at the gym.

I’m at a brief stopping point before I decide what the next series of projects is going to be.

It’s not official unless I posted it somewhere, right? So if I post it here then it means I have started it and therefore must continue it. That’s just the way it goes.

So what is the project? Over the course of the next few months I will be interviewing Oklahoma climbers about their experiences with climbing in Oklahoma. Most notably will be those who established Oklahoma climbing for what it is today. This is going to be sort of an historical look at the development of climbing in the state but more than that it is meant to examine the people, the personalities, and their stories.

This is not a “climbing video,” this is a documentary. Of course, I want to feature the places, the routes, and the people together, but the point is more about the people and the unique community of climbers that has developed here.

At this time it’s too early to call this documentary anything other than an Oklahoma Climbers/Climbing documentary – but I’m sure I’ll come up with something over time.

I did my first interview (profile) today – with Russell Hooper – that’s what kicked it off. I look forward to many more interviews and a rewarding learning experience.

http://www.newsok.com/article/3532180

http://www.newsok.com/article/3532180

Check out the article they did on myself and Rocktown Climbing Gym – it’s about the ice climb we’ve created on the front of the building the past couple of years.

The ice should be good for at least one more day so there will be people there banging it up. We have arranged some special climbing session classes for those new and wanting to try it. Give the gym a call at 405-319-1400 if you are interested.

The link below is to Tony Mayse’s discussion on fixed chain draws in Arkansas. I’m adding my continuation to the discussion…

Fixed chains on bolted climbs. | fixeddraws.

Over the past few years there’s been a growing movement by some route developers to put fixed chain draws on routes in Arkansas.

I remember during my earliest years climbing in Arkansas – the early 90s – which isn’t that far back – Arkansas was approached by climbers as The Natural State. Efforts were made to first attempt the lines using natural gear, and certain areas were strictly off-limits for bolting. In other words, bolting was not the first resort. If a route were to be bolted, every effort was made to camouflage the bolt hangers, so as not to draw attention to the route. If a route had ample gear in a particular spot, that section was not bolted – bolts were only added where necessary for safety. Still, discretion was left up to the developer, with the understanding that the practical aspects of visual impact, continuity, bolt placement, hardware, and overall route quality were taken into consideration.

With the introduction of more climbers to the area via Horseshoe Canyon Ranch, the re-discovery and retro-development of known crags, and the discovery of a few new areas – the approach to climbing in Arkansas appears to have shifted. That shift has resulted in areas with an abundance of fixed chain draws hanging from routes, among other things.

The part of this that concerns me the most is that those who are developing these routes and affixing numerous chain draws seemed to think they are developing in a positive manner and perhaps even doing others a favor.

In fact, the overuse of chain draws have the long-term effect of doing a dis-service to climbers for the following reasons:
1) They draw unnecessary attention to sections of rock which would otherwise go noticed. A single bolt hanger is obviously much less visually intrusive than a chain draw. The long-term ramifications of being less-than-low-profile could result in access issues, restrictions, and ill-will among other user groups like hikers, birders, hunters, etc.
2) They add additional permanent equipment that risks deterioration and must be monitored for safety over time. Types of chain varies, types of quicklinks vary, and the carabiners used on these draws are most often not new to begin with. Check this Black Diamond article for a discussion on over-worn carabiners which appear on fixed draws.
3) They dumb-down the ratings of climbs – everything becomes a pinkpoint rather than a redpoint. When Flying Elvis (a 5.12 at Cave Creek) had chains placed on it, the consensus is that it was clearly easier – perhaps a grade easier – than having to place your own quckdraws and clip them.
4) Coupled with #3, you lose the experience of clipping your own quickdraws to a bolt. For some, this is part of the fun of climbing and clipping chains takes away from that experience.
5) Chain draws will begin to appear on routes of lower and lower grades. Other areas that utilize chain/fixed draws often have them reserved for the top 1-2% of the most difficult routes. Already, in Arkansas we are seeing chain draws appear on moderate routes – routes that have been climbed regularly for well over a decade without the use of chains! Does a 5.12 required fixed draws? What about a 5.11? Why not a 5.10? Is it not true that for those climbing at the grade, they shouldn’t have a problem putting up their own draws? In no location that I have seen, do we have walls like, say Maple Canyon in Utah, where fixed draws are prevalent on 5.13 cave routes. Let’s be realistic, and consider the terrain.

I think the arguments for chains are that it makes it easier to bail at any point on a route (i.e. makes it less committing), it makes it easier to clean (i.e. less work), and it makes it easier than having to clip draws on bolts (i.e. makes it easier). Well, I am arguing in favor of making climbing more committing, more work, and less easy. And, to add some more, less impactful to other users, more conscientious of others, and safer in the long run.

I think the problem wouldn’t garner such attention if there were a measured approach to the use of chains. In other words, if say, the steepest section of a route had a single fixed cable draw (UIAA approved with stainless equipment) that allowed for ease in cleaning, that would be a more balanced approach. Rather, what we see going on, is the use of painted chain with used aluminum biners bound with bailing wire on every single bolt hanger on routes that in most cases do not need any fixed equipment.

The development we are seeing is irresponsible, inconsiderate, and frankly, and selfish approach to the sustainability of climbing on US Forest Land in Arkansas. If we don’t make some changes within our own community we risk bigger problems. It’s something we can change now, and we should.

Fixed chains on bolted climbs. | fixeddraws.

I’ve completed and uploaded another video from the trip to England. This one is of a day spent climbing and exploring Stanage Edge; a world famous gritstone area in the heart of The Peak District.

Unfortunately, we only had a day to experience the wealth of climbing in the area, and this was only enough to leave us wanting for more grit. So I’m hopeful that there will be a return trip in the not-so-distant future which will allow for several days of climbing and an opportunity to truly experience all that gritstone climbing has to offer.

This film was shot on a single roll of Tri-X Super 8 film using a Zeiss Ikon Movieflex S8 camera. The film was developed and transferred at Yale Film and Video in Burbank, CA.  Post processing was all done in Final Cut Pro. The black and white (and grey) turned out pretty well on its own but I wanted to alter the image a bit in FCP. In this case I felt the use of a pink filter, upping the contrast and brightness (in some cases) added to the picture. Editing wise, I just did a little trimming here and there – I like to keep the sequence and the duration of the original film as much as possible.

With a film like this (meaning Super 8 ) I think it’s good to keep the home-movie feel. In fact, I would argue that it captures the experience more realistically – almost more documentary style.

The music is from a band/artist named Part Timer and the song is called Unwritten Letter no.9.

Bolex 155 - Super 8 Camera

Lately I’ve found some really great stuff on eBay that I have simply been unable to avoid purchasing, it’s kind of a problem. I’m talking about Super 8 film stuff. In particular, I picked up a Bolex 155 Super 8 film camera, it looks like something out of some sci-fi fantasy movie. No telling what kind of looks I’m going to get walking around pointing this at people. And I’m sure I’d get the new TSA pat-down procedure if I even got near one of their airport checkpoints. So I’ll stick to shooting around town for now and see how the camera works out.

But that’s not all…

I’ve been on the hunt for Super 8 films; features, shorts, home movies. I found Star Wars on Super 8 film and got that. Then I got Alfred Hitchcock’s Psycho on Super 8 film! I can’t wait to see these. I also found a couple of 100 ft reels of Russian home movies – got each of these for 0.99 cents, of course the shipping was $12 bucks. I’m hoping that there’s actually something on them and that they’re not just washed out crap. We’ll see.

Another piece of equipment I recently purchased which is not Super 8 but is 8 mm video cassette, is a Video 8 VCR. Finally I have a way to transfer all my old 8mm video tapes to a hard drive. There’s a lot of old climbing footage on there – old, like early and mid-90s old – not that old. I was just watching some footage from my second trip to Mexico. Myself and 4 other friends were piled into an Isuzu Trooper and driving through the interior of Mexico…at night…and the car broke down. It’s pretty crazy – should be fun to post when I get it all captured.

In addition to the old 8mm videos, I have a couple of Super 8 films that I am working on as well – shorts. Nothing that long. One is a “walkabout” film I shot while in Cambridge, England earlier this year. I’m hoping to have it or another film ready before the next film festival deadline.

In the meantime I’ll leave you with this ad for the camera I just bought.